Sri Lankan Film Festival
July 21st, 200860 YEARS OF SRI LANKAN CINEMA
TO COMMEMORATE 60 YEARS OF DIPLOMATIC RELATIONS
BETWEEN INDIA AND SRI LANKA
Synopsis
SAKMAN MALUWA – THE GARDEN/2003/Dir. Mrs. Sumitra Peiris - 21/07/08 – 6.30 p.m.
‘THE GARDEN’ depicts sensitively a marital relationship in which, a surface contentment masks the essential separateness of the partners. Tissa and Prema are also relatives and significantly differ in age. The Garden which is one of Tissa’s keen preoccupations is the setting of the drama to follow. Ranjan, Tissa’s younger brother arrive for a brief holiday from Russia where he is a medical student. Prema’s and Ranjan’s closeness to each other begins to disrupt the relationship between husband and wife. Meanwhile, a snake enters the garden and provides the startling climax to the film.
SUDU SEVANELI – SHADOWS OF WHITE/2002/Dir. Prof. Sunil Ariyaratne/113 m - 22/07/08-6.30 p.m.
Sri Lankans (then called Ceylon) revolted against the British Colonialists in 1848.This insurrection begun in The Central Hills by the Buddhist leaders, received blessings of the Buddhist Clergy. Quite a number of Buddhist Priests left their robes to join in the revolt. The film begins with the protagonist of our story, Sudu Banda, one among many of those who left their priesthood to wage war against the colonial rulers, prepares himself to return to his native Village in the hills, not only because they feared the British suppression but also because they suspected that they will be killed by the dreaded, treacherous village leaders who were appointed by the British would make use of the situation to settle their own personal scores against their own village men.
SOORIYA ARANA/2004/Dir. Somaratne Dissanayake/col/105 m - 23/07/08 - 6.30 p.m.
Sediris, a hunter in a remote village accompany his 10 year old son Tikira, on hunting in order to teach him the trade. Other villagers do not enter the forest as Sediris has scared them with false rumours of ghosts. Sudden appearance of a monk with a young disciple becomes a threat for Sediris. Various attempts by him to remove the monks fail. Meanwhile, the secret friendship developed between two boys turns into a strong bond, challenging the adults. Inspired by the little monk, Tikira gradually learns to love animals instead of killing. Villagers begin to accept the monks despite the threats by Sediris. One day while fleeing away from the villagers Sediris accidentally ran onto one of his own guntraps and loses a limb. Helpless with six children and two wives, Sediris is surprised to see the monk he hated is there to help them. The bond between two boys becomes inseparable, and Tikira takes a drastic change of life.
THEERTHA YATHRA/2000/Dir. Vasantha Obeyesekere/col/103 m – 24/07/08/6.15 p.m.
Meneka is the adopted child of Grace and Suriya Bandara but she was unaware of it. Suriya Bandara is a wealthy aristrocrat and a leading human rights lawyer. Meneka is loved and adored by her adopted parents. Meneka designs costumes and runs a fashionable dress design centre with her friend Dilu. They are both currently involved in a stage play scheduled to open shortly. Maneka is engaged to be married to a young bank official, Kusal, a close relative of her parents. As things stand she has a happy uncomplicated life. Suddenly an unexpected event shatters her peaceful and complacent existence. Meneka discovers to her shock and horror that she is an adopted child and that her biological parents are living in a remote village in abject poverty. From that moment she is haunted by the feeling that everything she once thought is not really hers. Suriya Bandara, Grace, the mansion, the car all cease to be a part of her life. It is as if her old self, her former persona has died an inner death, Who am I? Who are my parents? Is my whole life a lie? A mirage? These questions obsess her.
GAMPERALIYA/1963/Dir. James Lester Peries/110 m – 24/07/08 – 8 p.m.
Best Film Ranamayura ‘Golden Peacock’ Award at New Delhi IFF. Realism entered Sri Lankan Cinema with Gamperaliya as it did in Sinhala literature when the novel was first published in 1943. Gamperaliya is widely considered the work that introduced cinema as a serious art form to Sri Lankan film goers. Lester James Perris’ pioneering effort to capture on film the texure of life of the people of the year, receiving a Diploma at the London Film Festival. This film also was selected as the best film of the first 50 years of Sri Lankan cinema.